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The Motorcycle Diaries (film) - Wikipedia. The Motorcycle Diaries (Spanish: Diarios de motocicleta) is a 2. Ernesto Guevara, who would several years later become internationally known as the iconic. Marxistguerrilla commander and revolutionary.

Che Guevara. The film recounts the 1. South America by Guevara and his friend Alberto Granado. As well as being a road movie, the film is a coming- of- age film; as the adventure, initially centered on youthful hedonism, unfolds, Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry. Through the characters they encounter on their continental trek, Guevara and Granado witness firsthand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise. To their surprise, the road presents to them both a genuine and captivating picture of Latin American identity. As a result, the trip also plants the initial seed of cognitive dissonance and radicalization within Guevara, who ostensibly would later view armed revolution as a way to challenge the continent's endemic economic inequalities and political repression.

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The screenplay is based primarily on Guevara's trip diaryof the same name, with additional context supplied by Traveling with Che Guevara: The Making of a Revolutionary by Alberto Granado. Guevara is played by Gael Garcia Bernal (who previously played Che in the 2. Fidel), and Granado by the Argentine actor Rodrigo de la Serna, who coincidentally is a second cousin to the real life Guevara on his maternal side.[3] Directed by Brazilian director Walter Salles and written by Puerto Rican playwright José Rivera, the film was an international co- production among production companies from Argentina, the United States, Germany, the United Kingdom, Chile, Peru and France. The film's executive producers were Robert Redford, Paul Webster, and Rebecca Yeldham; the producers were Edgard Tenenbaum, Michael Nozik, and Karen Tenkhoff; and the co- producers were Daniel Burman and Diego Dubcovsky."The Che of The Motorcycle Diaries is more akin to Jack Kerouac or Neal Cassady than Marx or Lenin."In 1. Ernesto "Fuser" Guevara is due to complete his medical degree, he and his older friend Alberto Granado, a biochemist, leave Buenos Aires in order to travel across South America. While there is a goal at the end of their journey - they intend to work in a leper colony in Peru - the main purpose is initially fun and adventure.

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They desire to see as much of Latin America as they can, more than 1. Granado's purpose is also to bed as many women as will fall for his pick- up lines. Their initial method of transport is Granado's dilapidated Norton 5.

La Poderosa ("The Mighty One"). Their planned route is ambitious, bringing them north across the Andes, along the coast of Chile, through the Atacama Desert and into the Peruvian Amazon in order to reach Venezuela just in time for Granado's 3. April. However, due to La Poderosa's breakdown, they are forced to travel at a much slower pace, often walking, and don't make it to Caracas until July. During their expedition, Guevara and Granado encounter the poverty of the indigenous peasants, and the movie assumes a greater seriousness once the men gain a better sense of the disparity between the "haves" (to which they belong) and the obviously exploited "have- nots" (who make up the majority of those they encounter) by traveling on foot.

In Chile, for instance, they encounter a penniless and persecuted couple forced onto the road because of their communist beliefs. In a fire- lit scene, Guevara and Granado ashamedly admit to the couple that they are not out looking for work as well. The duo then accompanies the couple to the Chuquicamata copper mine, where Guevara becomes angry at the treatment of the workers. Watch The Land Online. However, it is a visit to the ancient Incan ruins of Machu Picchu in Peru that solidifies something in Guevara.

His musings are then somberly refocused to how an indigenous civilization capable of building such beauty could be destroyed by the creators of the eventual polluted urban decay of nearby Lima.[5] His reflections are interrupted by Granado, who shares with him a dream to peacefully revolutionize and transform modern South America, to which Guevara quickly retorts: "A revolution without guns? It will never work."Later, in Peru, they volunteer for three weeks at the San Pabloleper colony. There, Guevara observes both literally and metaphorically the division of society, as the staff live on the north side of a river, separated from the deprived lepers living across the river to the south. To demonstrate his solidarity, and his medical belief that leprosy is not contagious, Guevara refuses to wear rubber gloves during his visit as the head nun requires, choosing instead to shake bare hands and interact normally with the surprised leper patients."Every generation needs a journey story; every generation needs a story about what it is to be transformed by geography, what it is to be transformed by encounters with cultures and people that are alien from yourself, and you know that age group 1. José Rivera, screenwriter, NPR[6]At the end of the film, after his sojourn at the leper colony, Guevara confirms his nascent egalitarian, anti- authoritarian impulses, while making a birthday toast, which is also his first political speech.

In it he invokes a pan- Latin American identity that transcends both the arbitrary boundaries of nation and race. These encounters with social injustice transform the way Guevara sees the world and his purposes in it, and by implication motivates his later political activities as a Marxist revolutionary. Guevara makes his symbolic "final journey" at night when, despite the danger and his asthma, he swims across the river that separates the two societies of the leper colony, to spend the night in a leper shack, instead of in the doctors' cabins. Later, as they bid each other farewell at an airport, Granado reveals that his birthday was not in fact 2 April, but rather 8 August, and that the aforementioned goal was simply a motivator: Guevara replies that he knew all along. The film closes with an appearance by the real 8.

Alberto Granado, along with pictures from the actual journey and a brief mention of Che Guevara's eventual 1. CIA- assisted execution in the Bolivian jungle. Development[edit]“The film shows what we were, which was two young men - boys, really - who went looking for adventure and found the truth and tragedy of our homeland.”—  Alberto Granado, 2. To prepare for the role of the young Che Guevara, Gael García Bernal went through six months of intense preparation. This groundwork included reading "every biography" about Guevara, traveling to Cuba to speak with Guevara's family, and consulting with Guevara's then still living travel partner Alberto Granado.[9] Despite being in his eighties, Granado was also taken on as an adviser by Salles, and enthusiastically followed the film crew as they retraced his former journey.[1. Moreover, García Bernal (who is Mexican) adopted an Argentine accent and spent 1.

José Martí,[1. 1] Karl Marx and Pablo Neruda (Guevara's favorite poet). García Bernal told reporters "I feel a lot of responsibility. I want to do it well because of what Che represents to the world. He is a romantic. He had a political consciousness that changed Latin America."[1. According to García Bernal, the role crystallized his "own sense of duty" because Guevara "decided to live on the side of the mistreated, to live on the side of the people who have no justice - and no voice." In surmising the similarities between his own personal transformation and Guevara's, García Bernal posits that "my generation is awakening, and we're discovering a world full of incredible injustice."[1.